Mississippi Gulf Coast Museum of Historical Photography
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  • Collections
    • Gallery
    • Exhibitions >
      • Gulfport Exhibit
    • Paul Jermyn Vail Collection
    • Lewis Hine Exhibit
    • William Henry Jackson
    • John C. Robinson >
      • The Voyage
    • Gulf Coast Maps Exhibit
    • Gulf Coast Fishing Boats Exhibit
    • First Battle of New Orleans Exhibit
  • Willis Vail
    • Vail's Journal
    • Paul Jermyn
    • Vail Biography
    • Day sail to Cat Island
  • William Henry Jackson
    • Ocean springs
    • Gulfport
    • Pass Christian >
      • Fort Henry
    • Bay St. Louis
  • Lewis W. Hine
  • First Battle for New Orleans
    • Captain Jones' blockade
  • Gulf Coast fishing boats
  • Gulf Coast Maps
    • Ellicott's timeline
    • Observations
  • Walker Evans
  • The Schooner Venezia
  • Contact
  • A Postcard History
    • By Communities
    • Traveling by Trolley
    • Lighthouses & Ship Island
    • E. J. Younghans Postacrds >
      • Fowler Flight over Gulfport
      • The Albertype Co.
    • Detroit Publishing Postcards
  • Biloxi
  • Gulfport
    • Centennial Story
    • The Great Southern Hotel
    • Post Card history of Gulfport
  • Bay St. Louis
    • Hancock County
    • Post Card History of BSL
  • Long Beach
    • Post Card History of Long Beach
  • Pascagoula
  • Old Spanish Trail
  • The '47 Hurricane
  • Petar's Treasure
  • The Dry Plate
  • Gulf Coast Maps
  • Gulf Coast Maps Exhibit
   ///    Vail's Journal   ///  Printable version   ///  Day Sail to Cat Island  ///  The Good Scout  ///
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Click here for more history of Willis Vail

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​The four volume exhibit is now on permanent display at the Marine Search Center.

Willis Vail's glass plates from his time on the Mississippi Gulf Coast, 1902-1905.
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Portfolio Volume I
​
 The Pier


Portfolio Volume II
​The Railroad


Portfolio Volume III
Early Gulfport Buildings


Portfolio Volume IV
The Timber

The Dry Plate

Willis Vail made his ‘views’ with a large format field camera. He used a dry plate to make his exposures, a 5x7 glass plate coated with silver bromide.  The dry plate replaced the wet plate that had to be coated in the dark, and exposed while it was still wet.  It also had to be developed in the dark within 15 minutes of coating.  The dry plate could be pre-coated and stored until exposure, and after exposure it can be brought back to a darkroom for development at leisure. The dry plate could be factory produced, and by the 1870s it was commercially available, until the the 1900s when celluloid replaced the glass.
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Photography was in its infancy at the beginning go the 20th century. Determining exposure for subject brightness was a skill few mastered.
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